VIDEO: ‘Life’ TV Spot With Robert Pattinson & Dane DeHaan In US Theaters & On Demand 4th Dec


Today we’re excited to share the US TV Spot for Life which premieres in select theaters, Digital HD and On Demand from Dec 4th.

Here’s the official synopsis:

“Dennis Stock (Robert Pattinson, The Twilight Saga, Cosmopolis, Maps to the Stars) was only 26 when he was commissioned to photograph James Dean (Dane DeHaan, The Amazing Spider-Man 2, The Place Beyond the Pines), Hollywood’s rebellious free spirit on the verge of superstardom, for LIFE Magazine in 1955. In the months leading up to the premiere of Dean’s infamous role in East of Eden and filming Rebel Without a Cause, Stock and Dean took a photographic journey across the United States, from Los Angeles to New York and finally to Dean’s childhood farmhouse in Indiana. And while Stock thought he was capturing a young actor in the instant before he became a household name, in fact he documented the last moments of intimacy and simplicity that James Dean ever knew. From the Academy Award®-winning producers of The King’s Speech and acclaimed director Anton Corbijn (Control, A Most Wanted Man, The American), LIFE is inspired by the true story of the friendship between Stock and Dean, a bond that would change both their lives and provide the world with some of the most iconic images of the age.”

US: Pre-Order ‘Life’ On iTunes NOW

Life will be released in the US on Dec 4th and today the US distributors Cinedigm shared iTunes pre-order info along with an exclusive clip.

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To Pre-Order on iTunes click HERE  & HERE to watch clip.

VIDEO INTERVIEW: Robert Pattinson Talks ‘Life’, Dennis Stock & Lots More To Sensacine

Check out this great 12min video interview with Robert Pattinson from the Berlin junket where he talks about Life, Dennis Stock, James Dean and lots more.

VIDEO INTERVIEW: Anton Corbijn & Dane DeHaan Talk To Red Carpet News At The London Gala Screening Of ‘Life’

At the Soho London Screening of Life at the end of last month, Red Carpet News spoke to Director Anton Corbijn and Dane DeHaan.

You can see more from the London Screening in our earlier post HERE

VIDEO: Dennis Stock & James Dean Meet For The First Time In A NEW Clip From ‘Life’

In this new clip from Life (dubbed in Italian) we see Dennis and Jimmy meet for the first time at Nicholas Ray’s party in Chateau Marmont.

Life was release in Italy yesterday. You can check out the list of cinemas showing Life over on BIM’s Facebook Page.

Thanks Will!

PRINT INTERVIEW: “Working With Anton Corbijn Has Been A Great Honour” ~ Robert Pattinson

Elle magazine (Italy) interviewed Robert Pattinson while on the set of Life where he spoke about what attracted him to the part of Dennis Stock, James Dean’s influence on Dennis, working with Anton Corbijn and more.

I used Google Translate to translate the interview but if a better translation comes online I’ll update the post.


Robert Pattinson is back in cinemas on October 8 with the film Life, by Anton Corbijn dedicated to James Dean, cinema legend who died exactly 60 years ago in a car accident. The actor became famous as a vampire in Twilight, however, did not take the role of the legendary Jimmy (playing him is Dane DeHaan), as widely expected, but that of photographer Dennis Stock, who in 1955 – the year of the stars death – snapped a series of photographs for Life magazine and immortalized James Dean as no one before him had done. Anton Corbijn is dedicating the whole movie to the relationship of trust that exists between the two: to speak in more detail about the film is Robert Pattinson, in this exclusive interview during the filming of the movie.

Dennis and James. A photographer on the verge of bankruptcy and an artist on the front page. Tell us about the dynamics of their friendship.

The story of the two has a very original dynamic. James Dean is a character so sympathetic and Dennis, however, is not always so. There is a time for me, that sums up their diversity fully. There’s this scene where James Dean is playing with his cousin, and Dennis just says, ‘I do not know how you can do it.’ In essence he is saying ‘I do not understand what they’re trying.’ Dennis had a son, of course, but does not love him and that’s just awful. He is perpetually filled with the negativity, so full of anxiety, to the point of being irritating. I can not think that there are such people, you can not believe the fact that they say about not being able to love. It’s kind of horrible, but in its being is a tragic character too charming. And as I said the dynamic between them is very interesting.

James Dean is a myth. Have you ever had an influence on your career?

I have long admired his work. I believe that in 16 years a lot of actors have had their ‘James Dean’ stage and for most of them, the important thing is not to interpret the role but become part of the myth linked to him – and I also experienced one of the two phases. He is certainly still an icon but Dane (DeHaan) would be able to answer that question better than me because he’s more tied to James Dean, his figure, the myth.

Would you be interested to play the part of James Dean?

Oh no, absolutely not (laughs) Dane did a great job.

How did it go with Anton Corbijn?

Working with Anton Corbijn has been a great honour and his first film Control (about the life of Ian Curtis, leader of Joy Division), was the reason why I decided just to accept the part. I loved the movie. I thoroughly enjoyed Anton’s style and I knew that LIFE would have followed the same path.

With the camera instead?

To practice better, I took some pictures on the set of LIFE and the other films that I was shooting The Queen of the Desert where I play with Nicole Kidman. So for a few months I took a number of wonderful horrifying pictures with a 1953 Leica M1. It was the staff of Dennis, but the same pattern. It should be a model came out some time before that of Stock. It’s beautiful, and it works perfectly. I think that will never break. ”

Who was Stock?

Dennis was always worried that everything went wrong. He felt haunted by the possibility that the public would not follow him, they were not on his side. But at the same time, I thought he was a completely current. It’s the story of someone who is trying to become an artist, and the fear of not being able to achieve his dream is the saddest part of his life and demoralizing. Dennis is the kind of artist who is so fearful of not being at the height of his profession that he would use excuses for anything. When Jimmy sees for the first time, it’s fun because it has just that effect is undeniable. Being in contact with someone who is reaching his potential is very good to see. Relating to James Dean and all that was happening to him, also allowed Dennis to believe a little more in himself.

Do you believe, therefore, that James Dean had a positive influence on the photographer?

Absolutely yes. Sometimes you just need a little encouragement and the fact that Jimmy told him ‘These are fantastic’ while showing him pictures showing him, for him was a huge source of pride. I think at that specific time Dean has shown clearly and paved the way for Stock. Jimmy was regarded as a true artist who has had a profound impact on his life. And so, when Jimmy gave his approval, well, that’s all you need sometimes – this is all you need to start believing in yourself. And I think that’s what happened. For Dennis, the meeting with Jimmy was fundamental and has changed his life and certainly his work.

Luke Davies talks ‘LIFE’ – “Dennis Stock was the powerful figure who had something to offer to James Dean”

3628LIFE screenwriter, Luke Davies, hopped on a line to speak with The Guardian about the film and what inspired him to explore this period in time. It’s an insightful and enjoyable interview whether you’ve seen LIFE already or it’s on the horizon.

It’s a moment frozen in time. James Dean walks through a deserted Times Square, hunched against the rain in a woollen trench coat, a cigarette clamped between his teeth. First published in Life magazine in March 1955, only six months before Dean was killed in a car accident, the image forever cast the actor as an angst-ridden young man.

The photo is just one in a series photographer Dennis Stock took, following Dean from Los Angeles film premieres to New York movement classes and family dinners at Dean’s uncle’s farm in Indiana. Taken over three months, Dean was a relative unknown at the time (his position in popular consciousness largely came posthumously). And while these photographs became famous, not much is known about what happened to the two men between the frames.

Speaking on the line from Los Angeles, Australian author and screenwriter Luke Davies says it was this that he wanted to explore in the new film Life, starring Dane DeHaan as Dean and Robert Pattinson as Stock. He was approached by producer Iain Canning of See-Saw films, the team behind another unlikely male friendship film, The King’s Speech, who wanted to tell a “big iconic American story” about Dean.

During his research into Dean’s life, Davies discovered the improbable friendship that developed between the two men. “What a lot of people don’t realise is that at that moment Dennis Stock was the powerful figure who had something to offer to James Dean, who was conflicted about what it was that was being offered: a doorway into the fame machine.” A regular Life magazine contributor, the photographer met the actor at a Hollywood party. At Dean’s invitation, he saw an early screening of the film East of Eden and instantly recognised the charisma and incandescence that would see the actor explode into pop cultural consciousness.

The two men came from different backgrounds: one a restless actor from the country, the other an ambitious city-slicker photographer, so Davies imagined the relationship could have been fraught, at least to begin with. Dean was known to be unreliable; Stock took himself very seriously, and would have been frustrated by Dean’s evasiveness. Yet the photographs became increasingly personal as their friendship deepened.

Click HERE to continue reading!

LIFE is currently in theaters in the UK, Ireland and Australia. The film releases in the US and Canada on Dec. 4th.